Works by Signorelli in Italy and all over the world
On the Master's footsteps
| WORK | TECHNIQUE | DIMENSIONA | YEAR | STORAGE PLACE | CITY | FUN FACT | |
|---|---|---|---|---|---|---|---|
| Sacristy of San Giovanni | fresco | 238×200 cm | c. 1477–1480 | Sagrestia di San Giovanni (o della Cura), Basilica della Santa Casa | Loreto | ||
| Dispute over the body of Moses | fresco | c. 1481–1482 | Cappella Sistina | Città del Vaticano | Signorelli's work was already damaged in the 16th century and was completely repainted in 1574 by Matteo da Lecce. | ||
| Testament and death of Moses | fresco | 350x572 cm | c. 1481–1482 | Cappella Sistina | Città del Vaticano | Although the presence of Signorelli is undeniable, it presents some attribution doubts and most of the pictorial drafting is attributed to Bartolomeo della Gatta | |
| Flagellation (Front of Banner of Flagellation) | tempera on board | 84x64 cm | 1475 | Pinacoteca di Brera | Milano | Painted for the Confraternity of the Recommended of Santa Maria del Mercato in Fabriano (church destroyed) | |
| Our Lady of the Milk in Glory (reverse of the Banner of the Flagellation) | |||||||
| Holy Family of the Guelph Party | olio su tavola | 124 cm di diametro | c. 1487–1488 | Galleria degli Uffizi | Firenze | ||
| Madonna with Child between nudes | tempera on board | 31x70 cm | 1490 | Galleria degli Uffizi | Firenze | Made for the Medici villa of Castello | |
| Holy family with a saint | tempera on board | 89 cm di diametro | c. 1490–1495 | Galleria Palatina di Palazzo Pitti | Firenze | ||
| Annuciation | tempera on board | 282×205 cm | c. 1491 | Pinacoteca e Museo Civico | Volterra | ||
| Enthroned Virgin and Saints | tempera on board | 302×233 cm | 1491 | Pinacoteca e Museo Civico | Volterra | ||
| Madonna and Child with Saints Jerome and Bernard | tempera on board | 112 cm di diametro | 1492-1493 | Galleria Corsini di Palazzo Corsini al Parione | Firenze | There is a larger autographed replica of the work, the Tondo Baduel in the Bandini Museum in Fiesole. | |
| Portrait of Vitellozzo Vitelli | oil on board | 42x33 cm | 1492-1496 | Collezione Berenson di Villa I Tatti | Firenze | The work was part of a sort of diptych with the Portrait of Niccolò Vitelli, father of Vitellozzo, lord of Città di Castello. It was built during one of Luca's stays in the Umbrian city, between 1492 and 1496. | |
| Tondo Baduel | tempera on board | 155 cm di diametro | 1492-1500 | Museo Bandini | Fiesole (FI) | The work, which comes from the Baduel collection in Castel di Poggio, is a larger autographed replica of the Madonna and Child with Saints Jerome and Bernard in the Corsini Collection in Florence. It is generally indicated as a work derived from the latter, with a more marked presence of the workshop. | |
| Crucifixion (front of the Gonfalone dello Spirito Santo) | tempera on canvas | 156x104 cm | 1494 | Galleria Nazionale delle Marche | Urbino | The work was painted for the Confraternity of the Holy Spirit in Urbino in 1494 and was intended to be carried in procession during public functions. | |
| Descent of the Holy Spirit (back of the Banner of the Holy Spirit) | |||||||
| Madonna of Mercy with San Sebastiano and San Bernardino of Siena | tempera on board | 1495-1505 | Museo diocesano d'Arte Sacra | Pienza | |||
| Allegory of Fertility and Abundance | tempera on board | 58x105,5 cm | 1500 | Galleria degli Uffizi | Firenze | ||
| Crucifix with the Magdalene | tempera on board | 247×165 cm | 1502-1505 | Galleria degli Uffizi | Firenze | During the 1953 restoration, a drawing of Saint Jerome was found on the back of the canvas, protected by a second canvas that supports the painting which, if necessary, can be removed to see the drawing. | |
| Crucifixion (front of the Banner of the Crucifixion) | tempera on canvas | 212x157 cm | 1502-1505 | Chiesa di Sant'Antonio Abate | San Sepolcro | ||
| Saints Anthony and Eligius with kneeling brothers | |||||||
| Flagellation | tempera on board | 42x34 cm | 1505 | Ca' d'Oro | Venezia | ||
| Polyptych of Arcevia | tempera on board | 393x315 cm | 1507 | Collegiata di San Medardo | Arcevia | ||
| Madonna and Child, the Trinity, Saint Augustine and Saint Athanasius of Alexandria | tempera on board | 272x180 cm | 1510 | Galleria degli Uffizi | Firenze | ||
| Saint Catherine of Alexandria | tempera on board | 31x43 cm | 1512 | Museo Horne | Firenze | Perhaps it was part of the predella of the Communion of the Apostles. | |
| Coronation of the Virgin with Angels and Saints | 1523 | Collegiata dei Santi Martino e Leonardo | Foiano della Chiana (AR) | ||||
| Madonna and Child with Saints | tempera on board | 357x248 cm | 1519-1523 | Museo Statale d'Arte Medievale e Moderna | Arezzo |
| WORK | TECHNIQUE | DIMENSIONS | YEAR | STORAGE PLACE | CITY | FUN FACT | |
|---|---|---|---|---|---|---|---|
| Coriolanus convinces his family to spare Rome | fresco | 125.7×125.7 cm | 1509 | National Gallery | London | From the Palazzo del Magnifico, in Siena | |
| Triumph of Chastity and Love Defeated | fresco | 125×133.4 cm | 1509 | National Gallery | London | From the Palazzo del Magnifico, in Siena | |
| Nativity of the Baptist | oil on board | 31×70 cm | c. 1485–1490 | Museo del Louvre | Paris | The work is part of a predella of an unspecified altarpiece. It has been in the Louvre since 1824, when it was purchased on the antiques market. The predella compartment has been definitively placed in relation to the Sant'Onofrio Altarpiece in the Perugia cathedral. | |
| Saints Catherine of Siena, Mary Magdalene and Jerome | oil on board | 146,5x75,5 cm | c.1489-1490 | Gemäldegalerie | Berlin | Right side of the predella of the dismembered Pala Bichi. | |
| Saints Augustine, Catherine of Alexandria and Anthony of Padua | |||||||
| Figures in a Landscape: Two Male Nudes | oil on board | 67,9x41,9 cm | 1489-1490 | Museo d'Arte | Toledo (US) | Right side of the predella of the dismembered Pala Bichi. | |
| Figures in a landscape: man, woman and child | oil on board | 67,9x41,9 cm | 1489-1490 | Museo d'Arte | Toledo (US) | Right side of the predella of the dismembered Pala Bichi. | |
| Christ in the house of Simon the Pharisee | oil on board | 26x90 cm | 1489-1490 | Galleria Nazionale | Dublin | Right side of the predella of the dismembered Pala Bichi. | |
| Lamentation over the dead Christ | oil on board | 30x120 cm | 1489-1490 | Pollok House | Glasgow | Right side of the predella of the dismembered Pala Bichi. | |
| Martyrdom of Saint Catherine of Alexandria | oil on board | 29x92 cm | 1489-1490 | Clark Art Institute | Williamstone | Right side of the predella of the dismembered Pala Bichi. | |
| Education of Pan | tempera on board | 194x254 cm | 1490 | Flakturm Friedrichshain | Berlino | Lost work. It was one of 417 paintings that were irreparably destroyed in the fire of the Flakturm Friedrichshain, which broke out during the Second World War. | |
| Circumcision | oil on board trnsferred con canvas | 258,5x180 cm | 1490-1491 | National Gallery | London | It is signed and was originally made for a church in Volterra. The infant Jesus seen today is a modification of Sodom | |
| Marriage of the Virgin | oil on board | 21,6x48 cm | 1490-1491 | National Gallery of Art | Washington DC | ||
| Holy Family | oil on board | 80.6×64.8 cm | 1490-1495 | National Gallery | London | ||
| Adoration of the Shepherds | oil on board | 17.1×64.8 cm | 1490-1510 | National Gallery | London | Size and shape suggest that it was originally part of a predella, but the decorative elements of the frame more likely suggest that it was an image in its own right. | |
| Portrait of a man | tempera on board | 50×32 cm | 1492 | Gemäldegalerie | Berlino | ||
| Head of a Boy | tempera on board | 26×20.5 cm | 1492-1493 | Philadelphia Museum of Art | Philadelphia | ||
| Madonna with Child | tempera on board | 87 cm di diametro | 1492-1498 | Alte Pinakothek | Munich | ||
| Portrait of Niccolò Vitelli | tempera on board | 42×33 cm | 1492-1498 | Barber Institute of Fine Arts | Birmingham | ||
| Assumption of the Virgin with Saints Michael and Benedict | oil on board | 170,8×131,4 cm | 1493-1496 | Metropolitan Museum of Art | New York | ||
| St. George and the dragon | oil on board | 55×77.5 cm | 1495-1500 | Rijksmuseum | Amsterdam | ||
| Adoration of the Magi | oil on board transferred on canvas | 331×245 cm | 1495 | Museo del Louvre | Paris | ||
| Adoration of the Shepherds | oil on board | 215×170.2 cm | 1496 | National Gallery | London | The work was probably the second painted by Signorelli in Città di Castello, after the Adoration of the Magi. It was originally located in the church of San Francesco. | |
| Crucifixion | tempera and oil on board | 72.5×101.3 cm | 1504-1505 | National Gallery of Art | Washington DC | ||
| Man on a ladder | oil on board | 88.3×52 cm | 1504-1505 | National Gallery | London | It was part of an altarpiece depicting the Lamentation of Christ at the foot of the Cross made for the altar of the Church of Sant'Agostino in Matelica. | |
| Madonna with Child | tempera on board | 51×48 cm | 1507 | Metropolitan Museum of Art | New York | ||
| Coronation of the Virgin | oil on board | 127×223 cm | 1508 | San Diego Museum of Art | San Diego | ||
| Holy Family with Saints Zacharias, Elizabeth and John the Baptist | oil on board | 70 cm di diametro | 1512 | Gemäldegalerie | Berlin | ||
| Madonna and Child with Saints | oil on board | 265×193 cm | 1515 | National Gallery | London | It is signed and dated. It was made for the Chapel of Santa Cristina di Bolsena in the Church of San Francesco a Montone | |
| Esther before Ahasuerus and Three Episodes from the Life of Saint Jerome | oil on board | 29.5×212.5 cm | 1519-1522 | National Gallery | London |